Robbie_Robertson_Last_Waltz_Stratocaster_Loaded_Pickguard_Hand_Wound_Wired_8_01_ri

Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired 8

Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired 8
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired 8
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired 8
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired 8
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired 8
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired 8

Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired 8
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound Pickups & Hand Wired Tribute by Migas Touch Pickups Black 8 Hole. You can now have this historic loaded pickguard which was made to the specs from the Fender Custom Shop Model. Migas Touch Pickups Hand Wound 54 in the neck, left handed 59 flipped upside down in the middle and 69 in the bridge. Hand wired running the middle and bridge together to make a humbucker style and the 3 way switch wired so the selector. Just like Robbie’s we used telecaster knobs which he said were easier to control. The pickups are wax potted and made to vintage year specs. This is truly amazing sounding and let you quickly turn your start into the Last Waltz Guitar. We also have them in black both 11 hole and 8 hole and white 8 hole so check my other listing or send us a message. Note: Your stratocaster body may need to be routed to fit the middle and bridge configured pickups. Here’s the info from Fender Custom Shop official site. On the evening of November 25, 1976 at San Francisco’s famed Winterland concert venue, the lights dimmed, and a hush fell over the crowd as The Band took the stage for one last time before they dissolved into the annals of history. This historic farewell concert was documented for posterity by filmmaker Martin Scorsese, but guitarist Robbie Robertson-the man who used his trusty Fender to back up Dylan when he went electric-thought the moment deserved more commemoration. He had his favorite guitar, a red 1954 Stratocaster, dipped in bronze to commemorate the life-changing moment. He proceeded to play this now one-of-a-kind instrument during the course of the concert, cementing its place in legend. The Last Waltz Stratocaster is a rare, unique glimpse into the history of guitar modifications, specifically ones commonly performed in the’70s. During this time period there was no such thing as a valuable vintage guitar-there were only “old” guitars that were the perfect platform for experimentation. Master Builder Todd Krause replicated this classic instrument as closely as possible to the state it was in when the concert was filmed. From the NOS tone capacitors and knobs with the same tension as the original, to the airbrushed headplug and “wear beneath the wear” on the back of the neck, every element was reproduced as meticulously as possible. The Last Waltz Stratocaster’s gleaming bronze finish was applied “Old World-style”; the guitar was actually dipped into the bronze instead of the contemporary process of forming the bronze around it. The result-a thin coating that penetrates the body wood, revealing the wood grain through the bronze. Not only did Krause precisely replicate the Last Waltz Stratocaster’s unique neck profile and headstock shape, he even matched the “wear beneath the wear” on the fingerboard of the neck. “Wear beneath the wear” means that the neck had been refinished at some point in its life and then absorbed even more playing miles, requiring a multi-step process of finishing/aging, refinishing/aging. Every dent and ding was reproduced as meticulously as possible, even down to the headplug that was airbrushed at the factory to cover a manufacturing flaw. Middle and Bridge, Position 2. All Three, Position 3.
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired 8
Posted under robbie Tags: , , , , , , , , ,
Lefty_59_Fender_Stratocaster_Loaded_Pickguard_SRV_Hand_Wound_Shielded_Pickups_01_qg

Lefty 59 Fender Stratocaster Loaded Pickguard SRV Hand Wound Shielded Pickups

Lefty 59 Fender Stratocaster Loaded Pickguard SRV Hand Wound Shielded Pickups
Lefty 59 Fender Stratocaster Loaded Pickguard SRV Hand Wound Shielded Pickups
Lefty 59 Fender Stratocaster Loaded Pickguard SRV Hand Wound Shielded Pickups
Lefty 59 Fender Stratocaster Loaded Pickguard SRV Hand Wound Shielded Pickups
Lefty 59 Fender Stratocaster Loaded Pickguard SRV Hand Wound Shielded Pickups
Lefty 59 Fender Stratocaster Loaded Pickguard SRV Hand Wound Shielded Pickups
Lefty 59 Fender Stratocaster Loaded Pickguard SRV Hand Wound Shielded Pickups
Lefty 59 Fender Stratocaster Loaded Pickguard SRV Hand Wound Shielded Pickups

Lefty 59 Fender Stratocaster Loaded Pickguard SRV Hand Wound Shielded Pickups
Left Handed Fender Stratocaster Loaded Pickguard with Custom Hand Wound SRV Number One #1 Tribute 59 Spec Pickups from Migas Touch Pickups. The 8 hole pickguard is a high quality after market Fender Stevie Ray Vaughan Signature Stratocaster pickguard. The pickups are Custom Hand Wound Number One Tribute Pickups from Migas Touch and the wiring is hand wired by Migas Touch using CTS 250k left handed pots with left handed volume and tone knobs, orange drop 716 series. 047 cap and a CRL USA made 5 way switch. Protective Plastic is still on the pickguard. 8 gold screws included for assembly. True left handed from pickguard, to left handed staggered 59 spec pickups, and control knobs. Guitar Not Included, Loaded Pickguard Only. Copper foil wrapping and grounding acts as a “shorted turn” which basically clips off the treble a bunch. These pickups are heavy formvar and can be on the squeaky clean/bright side so this helps mellow them down some. Even though the vintage Fender pickups are more mellow sounding than new pickups, some of the better preserved ones can still be pretty bright. So a basically unfinished guitar and shielded pickups really soften the pickups in a good combination. I did the research when reproducing these pickups using period correct USA made components. From the vulcanized fiber flat work, Alnico V Magnets that are aged and hand beveled with the same stagger as used by Fender for the Stratocaster in 1959. With the Heavy Formvar. Copper foil wrapping and grounding which acts as a shorter turn which clips off the treble. Everything about these pickups is as correct as can be made and replicate the pickups in The famous Number One Strat. Stevie would keep these pickups low, close to the pickguard and had a high action using heavier strings. With a low gain amp and cranking it up in combination with these pickups is how Stevie pulled the amazing tones from his guitar. These are the real deal and I did not use other methods to try and replicate his sound like many others do but using same components to come as close as possible to match the pickups he used. We lacquer seal all of our bobbins for durability then fully wax pot them to avoid microphonic noises and squeals. All of our pickups are hand wound and scatterwound. Each of our hand-wound sets are signed and dated. 100% made in the USA. Heavy Formvar 42 wire. Neck and Bridge North Up with the Middle South Up. Period correct staggered pole pieces with aged finish. Average read outs: Neck 5.7, Middle 5.3, Bridge 5.3 but each may vary slightly. Period correct cloth push back wire. Copper foil wrapping and grounding. Thanks for your Support. SRV Number One #1 Tribute Stratocaster Guitar Hand Wound Shielded Pickups Set. Awesome pickups at an awesome price. The fit, finish and the tone is comparable to the big boutique brands. Incredibly satisfied with the service and the item showed up fast and expertly packaged. Would and will do business with again in the near future. Hurry and get your order in before there is a wait! Thank you very much. Really looking forward to dropping those in my guitar. I did a little research and hands down I believe this is the best deal on the planet for top notch hand wound pickups. A must for the true Hendrix and Gilmore sound of the late and early 70’s. Look and sound like the. A steal for the price.
Lefty 59 Fender Stratocaster Loaded Pickguard SRV Hand Wound Shielded Pickups
Posted under lefty Tags: , , , , , , , ,
Robbie_Robertson_Last_Waltz_Stratocaster_Loaded_Pickguard_Hand_Wound_Wired_BL_01_hd

Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired BL

Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired BL
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired BL
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired BL
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired BL
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired BL
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired BL

Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired BL
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound Pickups & Hand Wired Tribute by Migas Touch Pickups 11 Hole Black. You can now have this historic loaded pickguard which was made to the specs from the Fender Custom Shop Model. Migas Touch Pickups Hand Wound 54 in the neck, left handed 59 flipped upside down in the middle and 69 in the bridge. Hand wired running the middle and bridge together to make a humbucker style and the 3 way switch wired so the selector. Just like Robbie’s we used telecaster knobs which he said were easier to control. The pickups are wax potted and made to vintage year specs. This is truly amazing sounding and let you quickly turn your start into the Last Waltz Guitar. We also have them in black 8 hole and white 8 hole so check my other listing or send us a message. Note: Your stratocaster body may need to be routed to fit the middle and bridge configured pickups. Here’s the info from Fender Custom Shop official site. On the evening of November 25, 1976 at San Francisco’s famed Winterland concert venue, the lights dimmed, and a hush fell over the crowd as The Band took the stage for one last time before they dissolved into the annals of history. This historic farewell concert was documented for posterity by filmmaker Martin Scorsese, but guitarist Robbie Robertson-the man who used his trusty Fender to back up Dylan when he went electric-thought the moment deserved more commemoration. He had his favorite guitar, a red 1954 Stratocaster, dipped in bronze to commemorate the life-changing moment. He proceeded to play this now one-of-a-kind instrument during the course of the concert, cementing its place in legend. The Last Waltz Stratocaster is a rare, unique glimpse into the history of guitar modifications, specifically ones commonly performed in the’70s. During this time period there was no such thing as a valuable vintage guitar-there were only “old” guitars that were the perfect platform for experimentation. Master Builder Todd Krause replicated this classic instrument as closely as possible to the state it was in when the concert was filmed. From the NOS tone capacitors and knobs with the same tension as the original, to the airbrushed headplug and “wear beneath the wear” on the back of the neck, every element was reproduced as meticulously as possible. The Last Waltz Stratocaster’s gleaming bronze finish was applied “Old World-style”; the guitar was actually dipped into the bronze instead of the contemporary process of forming the bronze around it. The result-a thin coating that penetrates the body wood, revealing the wood grain through the bronze. Not only did Krause precisely replicate the Last Waltz Stratocaster’s unique neck profile and headstock shape, he even matched the “wear beneath the wear” on the fingerboard of the neck. “Wear beneath the wear” means that the neck had been refinished at some point in its life and then absorbed even more playing miles, requiring a multi-step process of finishing/aging, refinishing/aging. Every dent and ding was reproduced as meticulously as possible, even down to the headplug that was airbrushed at the factory to cover a manufacturing flaw. Middle and Bridge, Position 2. All Three, Position 3.
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired BL
Posted under robbie Tags: , , , , , , , , ,
Left_Hand_Prewired_Loaded_Pickguard_SSH_Alnico_5_Pickups_for_Fender_Strat_Guitar_01_nnxn

Left Hand Prewired Loaded Pickguard SSH Alnico 5 Pickups for Fender Strat Guitar

Left Hand Prewired Loaded Pickguard SSH Alnico 5 Pickups for Fender Strat Guitar
Left Hand Prewired Loaded Pickguard SSH Alnico 5 Pickups for Fender Strat Guitar
Left Hand Prewired Loaded Pickguard SSH Alnico 5 Pickups for Fender Strat Guitar
Left Hand Prewired Loaded Pickguard SSH Alnico 5 Pickups for Fender Strat Guitar
Left Hand Prewired Loaded Pickguard SSH Alnico 5 Pickups for Fender Strat Guitar
Left Hand Prewired Loaded Pickguard SSH Alnico 5 Pickups for Fender Strat Guitar
Left Hand Prewired Loaded Pickguard SSH Alnico 5 Pickups for Fender Strat Guitar
Left Hand Prewired Loaded Pickguard SSH Alnico 5 Pickups for Fender Strat Guitar
Left Hand Prewired Loaded Pickguard SSH Alnico 5 Pickups for Fender Strat Guitar
Left Hand Prewired Loaded Pickguard SSH Alnico 5 Pickups for Fender Strat Guitar

Left Hand Prewired Loaded Pickguard SSH Alnico 5 Pickups for Fender Strat Guitar
To prevent scratches and damage, the product is covered with a protective film. Please remove this protective film before installing it on your guitar. Place of Origin: China. Single coil (Single coil), Single coil, Humbucker. Installation Difficulty: Very easy to install. Weight: 700 grams per set. 1 x 3-ply guitar guard. 2 x Alnico 5 single coil pickups. 1 x 5-way switch. 3 x 1V 2T potentiometers (copper shaft). 1x single cutaway toggle switch. 1 x 400V/200V capacitor.
Left Hand Prewired Loaded Pickguard SSH Alnico 5 Pickups for Fender Strat Guitar
Posted under left Tags: , , , , , , , , ,
Stratocaster_loaded_Vintage_hand_wound_7_way_with_push_pull_or_Blend_Knob_01_onmf

Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob

Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob

Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Custom boutique hand/scatterwound Vintage Stratocaster pickups in a loaded 7 way pickguard or A blend knob on tone knob 2 is an option instead of the push pull Volume knob. TRUE Left Handed version available but in 5-way only. All middle pickups are RWRP and Magnets are Staggered & beveled. I build 8 different vintage version of Stratocaster models. See my other adds. #1 Pre CBS 57-62 Model 5060VF, I use a 59 Neck, 62 RWRP Middle and 61 Bridge. Vintage 42 Heavy gauge Formvar wire. #2 Early CBS 64-1970, Grey Bottom pickups and changed to 42 gauge plain enamel wire. 1 CHOICE OF Pre CBS 57-62 black bobbin Vintage spec Alnico V. 187 diameter magnets using 42 gauge Vintage Formvar Remington Wire. 2 OR EARLY CBS 64-70 Grey bottom Nicknamed ” The Jimi Years ” using Vintage spec Alnico V. 187 diameter magnets using 42 gauge Vintage Plain Enamel Remington wire. These pickups are completely built by me in my USA, Ohio shop using USA suppliers at mie music. Also a local recording studio. I specialize only in Vintage Stratocaster pickups and for years now my Hand Wound Vintage tone pickups, magnifies the harmonics, the incidentals, the upper octaves, the fifths and the relationship of the pick to index finger strikes while maintaining strong sustained fundamental tone and real clarity. Most of my favorite Vintage Fender pickups have a little bulge in the middle and not the flat sides you see in CNC machined pickups. I added the bulge to replicate my Vintage pickups. Here are my steps. 2 I dip the unwound completed Flatwork with magnets installed in Lacquer. Dry for 24 hours. 3 Then I hand/scatter to the coil to my proprietary way of winding with 42 gauge USA Remington wire of your choice, Vintage Formvar or Plain enamel. 5 Wax dip with 80% paraffin 20% beeswax at 140-150 degrees for perfect response and clarity. 6 Charge the Magnets. 7 Install on the Pickguard. I use CTS / Fender pots. The Volume knob is a push / pull knob. When in position 5 and the knob pulled it adds the bridge. In position 4 when pulled it adds all 3 pickups in parallel. When not pulled it performs like a Standard 5 way Strat. 8 My stock pickguard colors are White, Black, Mint green, Red tortoise and Vintage Brown tortoise. But be sure to ask about other colors. I have been playing Strats for over 50 years and had a bucket full of dead pickups so I started taking them apart to find the weakness. I found that the wiring had rubbed against the coil magnets until they shorted out, so that’s why I lacquer the flatwork before winding. These pickups are made to last and give you a great Vintage tone and low cost upgrade to your instrument.
Stratocaster loaded Vintage hand wound 7 way with push/pull or Blend Knob
Posted under stratocaster Tags: , , , , , , ,
Robbie_Robertson_Last_Waltz_Stratocaster_Loaded_Pickguard_Hand_Wound_Wired_WH_01_eacb

Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired WH

Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired WH
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired WH
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired WH
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired WH
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired WH
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired WH

Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired WH
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound Pickups & Hand Wired Tribute by Migas Touch Pickups White 8 Hole. You can now have this historic loaded pickguard which was made to the specs from the Fender Custom Shop Model. Migas Touch Pickups Hand Wound 54 in the neck, left handed 59 flipped upside down in the middle and 69 in the bridge. Hand wired running the middle and bridge together to make a humbucker style and the 3 way switch wired so the selector. Just like Robbie’s we used telecaster knobs which he said were easier to control. The pickups are wax potted and made to vintage year specs. This is truly amazing sounding and let you quickly turn your start into the Last Waltz Guitar. We also have them in black both 11 hole and 8 hole and white 8 hole so check my other listing or send us a message. Note: Your stratocaster body may need to be routed to fit the middle and bridge configured pickups. Here’s the info from Fender Custom Shop official site. On the evening of November 25, 1976 at San Francisco’s famed Winterland concert venue, the lights dimmed, and a hush fell over the crowd as The Band took the stage for one last time before they dissolved into the annals of history. This historic farewell concert was documented for posterity by filmmaker Martin Scorsese, but guitarist Robbie Robertson-the man who used his trusty Fender to back up Dylan when he went electric-thought the moment deserved more commemoration. He had his favorite guitar, a red 1954 Stratocaster, dipped in bronze to commemorate the life-changing moment. He proceeded to play this now one-of-a-kind instrument during the course of the concert, cementing its place in legend. The Last Waltz Stratocaster is a rare, unique glimpse into the history of guitar modifications, specifically ones commonly performed in the’70s. During this time period there was no such thing as a valuable vintage guitar-there were only “old” guitars that were the perfect platform for experimentation. Master Builder Todd Krause replicated this classic instrument as closely as possible to the state it was in when the concert was filmed. From the NOS tone capacitors and knobs with the same tension as the original, to the airbrushed headplug and “wear beneath the wear” on the back of the neck, every element was reproduced as meticulously as possible. The Last Waltz Stratocaster’s gleaming bronze finish was applied “Old World-style”; the guitar was actually dipped into the bronze instead of the contemporary process of forming the bronze around it. The result-a thin coating that penetrates the body wood, revealing the wood grain through the bronze. Not only did Krause precisely replicate the Last Waltz Stratocaster’s unique neck profile and headstock shape, he even matched the “wear beneath the wear” on the fingerboard of the neck. “Wear beneath the wear” means that the neck had been refinished at some point in its life and then absorbed even more playing miles, requiring a multi-step process of finishing/aging, refinishing/aging. Every dent and ding was reproduced as meticulously as possible, even down to the headplug that was airbrushed at the factory to cover a manufacturing flaw. Middle and Bridge, Position 2. All Three, Position 3.
Robbie Robertson Last Waltz Stratocaster Loaded Pickguard Hand Wound & Wired WH
Posted under robbie Tags: , , , , , , , , ,
Fender_Stratocaster_Custom_Hand_Wound_1975_Loaded_Pickguard_Migas_Touch_01_ygvw

Fender Stratocaster Custom Hand Wound 1975 Loaded Pickguard Migas Touch

Fender Stratocaster Custom Hand Wound 1975 Loaded Pickguard Migas Touch
Fender Stratocaster Custom Hand Wound 1975 Loaded Pickguard Migas Touch
Fender Stratocaster Custom Hand Wound 1975 Loaded Pickguard Migas Touch
Fender Stratocaster Custom Hand Wound 1975 Loaded Pickguard Migas Touch

Fender Stratocaster Custom Hand Wound 1975 Loaded Pickguard Migas Touch
Fender Stratocaster Custom Hand Wound 1975 Loaded Pickguard Migas Touch. This is an 11 hole pickguard with plastic still on it, 5 way switch. We specialize in Fender Stratocaster and Telecaster pickups. Our Vintage’75 Pickups follow the formula of CBS era Fender. The 70’s Strat pickups are not everyone’s cup of tea but they offer a bright and chimey sound that is hard to miss. Ritchie Blackmore, Yngwie Malmsteen, and The Edge are all 70’s Strat player showing what a good set of 70’s Stratocaster pickups can be. We lacquer seal all of our pickups for durability then fully wax pot them to avoid microphonic noises and squeals. All of our pickups are hand wound and scatterwound. Each of our hand-wound sets are signed, numbered, and dated. 100% made in the USA. Neck and bridge are north up while the middle is south up and reverse wound. Period correct flat pole pieces with aged finish. Average read outs: Neck 5.8, Middle 5.6, Bridge 5.8 but each may vary slightly. Period correct cloth push back wire. Thanks for your Support. Upgrading the Strat Pickups in my Peavey Falcon… It’s a massssssive upgrade! Awesome pickups at an awesome price. The fit, finish and the tone is comparable to the big boutique brands. Incredibly satisfied with the service and the item showed up fast and expertly packaged. Would and will do business with again in the near future. Hurry and get your order in before there is a wait! Thank you very much. Really looking forward to dropping those in my guitar. I did a little research and hands down I believe this is the best deal on the planet for top notch hand wound pickups. A must for the true Hendrix and Gilmore sound of the late and early 70’s. Look and sound like the. A steal for the price.
Fender Stratocaster Custom Hand Wound 1975 Loaded Pickguard Migas Touch
Posted under fender Tags: , , , , , , , ,
From_Fender_Stratocaster_Masterbuilt_Josefina_Hand_Wound_60_63_Loaded_Pickguard_01_rd

From Fender Stratocaster Masterbuilt Josefina Hand Wound 60/63 Loaded Pickguard

From Fender Stratocaster Masterbuilt Josefina Hand Wound 60/63 Loaded Pickguard
From Fender Stratocaster Masterbuilt Josefina Hand Wound 60/63 Loaded Pickguard
From Fender Stratocaster Masterbuilt Josefina Hand Wound 60/63 Loaded Pickguard
From Fender Stratocaster Masterbuilt Josefina Hand Wound 60/63 Loaded Pickguard

From Fender Stratocaster Masterbuilt Josefina Hand Wound 60/63 Loaded Pickguard
From a Fender Stratocaster Masterbuilt Josefina Hand Wound 60/63 Loaded Pickguard. These are possibly the most coveted of the Josefina / Fender Custom Shop Masterbuilt loaded pickguards ever wired up. You get the exact loaded pickguard that was wired and mounted at the Custom Shop and then removed for sale. Every pot, capacitor, switch, wire, solder, and bit of masking tape are 100% Fender Custom Shop, as are these very special and rare pickups by the renown master builder, Josefina Campos. Glassy yet throaty, these have been often copied but never duplicated. The Masterbuilt team at the Custom Shop know how to pull off this homage to a classic 60’s Strat! This cannot be bought from Fender and comes adorned only on the most elite guitars coming from the Masterbuilt Team at Fender.
From Fender Stratocaster Masterbuilt Josefina Hand Wound 60/63 Loaded Pickguard
Posted under fender Tags: , , , , , , ,
Stratocaster_VINTAGE_Pre_CBS_1954_Hand_Wound_PU_s_in_a_Loaded_5_Way_Pickguard_01_lo

Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU’s in a Loaded 5-Way Pickguard

Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard

Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
Music “Music is Everything “. Pre-CBS 1954 Loaded 5-Way. The Holy Grail of Stratocaster pickups. This was the start of the greatest electric guitar in American history. There is an option for Flat Beveled magnets also. This was the first year and Fender used the Alnico 3 magnets through 54-56. Wound with USA Remington AWG 42-gauge Vintage Heavy Formvar wire. All electronics are Fender CTS and comes with a new guitar jack. Push back Vintage Cloth wiring. My Stock pickguard colors are: White, Black, Mint Green, Red Tortoise and Vintage Tortoise Brown. I built these Vintage correct. The Pre-CBS Vintage (black bobbin) Alnico 3, 192 Diameter magnet pickups have those Vintage Fender tones which gives you Shimmering highs, Classic bell tones with Vintage quack, and warm fat lows. Pre-CBS Black bottom bobbin average. Alnico 3 magnets 42 awg gauge Vintage Heavy Formvar wiring: Neck:5.76k 2.60h/ RWRP Middle 5.75k 2.60h/ Bridge 5.80k 2.66h…. So, they can spec in sets at 5.70k to 5.9k. These pickups are Hand Wound by me one at a time, in my USA shop. I use the top USA suppliers, using the highest quality parts while still making a low-cost affordable Vintage tone upgrade for your beloved instrument. I specialize only in Vintage Stratocaster Pickups. And for years now my Hand Wound Vintage tone pickups, magnifies the harmonics, the incidentals, the upper octaves, the fifths and the relationship of the pick to index finger strikes while maintaining strong sustained fundamental tone and real clarity. Most of my Favorite Vintage Fender pickups have a little bulge in the middle and not the flat sides you see in CNC machined pickups. I add the bulge to replicate my vintage pickups. Tested at 77 degrees and 42% humidity, +/- 5% on a DER EE LCR DE-5000 meter, this meter has a USB output that you can save on your PC in Microsoft. My Assembly Steps: watch on youtube Mie Music Jobe. I dip the finished bobbin in Lacquer. This does 2 things. It keeps the coil wire from shorting out directly onto the Rod Magnets. This is where 90% of Vintage Fender Pickups Fail. The Coil Wire rubbing against the magnets. This glues the Flatware to the magnets, eliminating the use of super glue. Varying my patterns and wire tension and my proprietary way that I developed, coming from years of hand on research and beta testing. I install Lead Vintage push back cloth wires directly to the pickups. WAXING- I use 80% Paraffin and 20% Bees wax. Heated to 140-150 degrees for 10-15 minutes. Perfect for response and Clarity. I wrap the coil with fabric tape for four reasons. Helps stop high gain feedback. Some guitarists while recording will sit in the control room with the amp in the ISO room, while others like to sit or stand by their amp. I started to notice that most Gibson guitars did not have that high squeal and after checking those guitars found they had fabric tape on the pickups. So, I put some fabric tape on a few of my Strat’s and was floored how well this worked. Back in the 50’s there was really no need for it because the amps were not as high powered as today’s. Leo was also known as a tight wad and maybe he didn’t want to add to the time and expense. Perform second round of testing, confirming the correct specifications are met. Charging Magnets: I use a Mojo tone N/S Vise charger. I test the Gauss on a Tesla meter making sure of a smooth even charge on each magnet. Then I put the lead wires through the Flatware hole. Install the pickups from my pre-made Electronic Templates to the Pickguard that you choose. White, Black, Mint Green, Red Tortoise and Vintage Tortoise Brown. My stock Colors are: Black-White-Mint Green- Red Tortoise and Vintage Brown Tortoise. Also I need to know your preference on your 5-Way switch. Option 1: Tone 1 NECK ONLY.. Tone 2 Middle and Bridge. Option2: Tone 1 NECK and Middle, Tone 2 Bridge only. This is the most popular setups. Polls show 80% of the Strat players are happy with their tone. My pickups are made to last and come from a result of listening to my vintage guitar collection and taking apart a bucket full of. Fender pickups, studying them, painstakingly un-winding them, videotaping and taking very detailed notes. This is how I came up with my proprietary way of hand winding my pickups. After BETA testing on every kind of neck and body woods made. Plus tested on tube and solid-state amps, pedals, digital devices, and software in my recording studio Mie Music, that I opened in 1999, with fantastic results. I have built numerous part casters, and upgraded American and MIM Strat’s and installed my pickups, and they are highly comparable to my Vintage collection. Guitarists like that they can contact the owner/winder with any questions. Enjoy peace of mind with your new gear. The work has been done, so install, and you will find complete nirvana for recording and playing live. Jobe Jude Mie Music.
Stratocaster VINTAGE Pre-CBS 1954 Hand Wound PU's in a Loaded 5-Way Pickguard
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